10 Reasons To Drink A Wine That’s Out Of Your Comfort Zone

 

1. You might love Chardonnay and think you hate it

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Chardonnay in Australia is not the same style of wine it was ten years ago. There are very few Chardonnays that are “too oaky” or heavy. Chardonnay can be made totally crisp, citrussy and light, like with Chablis, fuller bodied and richer, or anywhere in between. Take a gamble, you might just love it. Which leads me on to reason #2…

2. Wine drinking is often swayed by trend and fashion

What was I thinking?

Ten or fifteen years ago, wine lists looked completely different. They’d be full of Chardonnay, a bit of Riesling, probably a fair bit of Shiraz, Cabernet and Merlot, but barely any Sauvignon Blanc. There’d also be the odd Sherry or two. Sure, there are a lot more varieties planted today than there were back then, but remember, the popular styles of wine come and go. Like fluoro clothes, which seem to be back.

Cheap and nasty Sauvignon Blanc, as with vanilla milkshake Chardonnay, is not good wine. It’s often sweet, when people assume they’re drinking a dry wine. Acid is sometimes added. It can be made from huge yields, which is never good for quality. Hence many of the supermarket brands that are effectively cleanskins with a marketed label. Yes, it might taste fruity, but that doesn’t make it good. The Sauvignon Blanc boom will have its time, and like the Chardonnay we now hate, we’ll ask ourselves “what was I thinking?”. You’re drinking a trend, not a good wine.

3. Barossa Valley Shiraz can actually overpower food

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Steak and Shiraz – an Aussie tradition. But our favourites from Barossa Valley can often be 15%+ alcohol and be huge and syrupy wines. Many of these wines actually spoil the meal you eat them with. European wines rarely go above 14% alcohol, and this usually makes them more versatile for the table. I’m not trying to discredit Barossan Shiraz – it can be one of Australia’s most special wines. It just shouldn’t be consumed with every red meat dish. One of the best styles to try is the GSM, or Grenache, Shiraz and Mourvedre blend. They’re generally slightly lighter than most straight Shiraz and are blended to improve each variety’s shortcomings. Our powers combined…

4. Crouchen Tiger, Hidden Riesling

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Riesling is not a statement that a wine is sweet. A hugely popular Australian sweet wine is a blend of Crouchen and Riesling, but it doesn’t have much in common with most Aussie Riesling, which is generally bone dry. I love sweet wines – sweet does not mean cheap or low quality. Many of the worlds’ best sweet wines are made from Riesling in Germany. What makes these wines so good is the balance between the sugar and the acidity of the wine. They are sweet but not sweet in the sense of sugar syrup.

Riesling can be made with zero residual sugar, as well as probably with more sugar than Coca Cola postmix syrup, and then anywhere in between. As I said, most Australian Riesling is dry. Try one from the Clare Valley region in South Australia, and you will find it hard to resist its citrussy, floral charms.  Even better now, many producers are using a scale on the label which signifies the sweetness of the Riesling.

Riesling was the variety that got me so passionate about wine. Discovering Riesling was like knowing a secret that nobody would believe if you told them.

5. Regional wine and food

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In Australia, we’re a multicultural society with limited winemaking experience and a diversity of cuisine. This means that our favourite local wines might not be the best option for every meal. One of the most important rules for wine and food matching is to match local food with local wine. It doesn’t have to be too specific, but at least, if you’re going with a tomato based pasta, maybe try an Italian red.

Asian food is very big in Australia due to both our location, its deliciousness, and lightness on the wallet (meaning there is more money left to spend on wine). An important thing to remember with spicy food – chilli clashes with high alcohol and high tannins. So don’t bother trying to drink a 2010 Reserve Cabernet with your Vindaloo. Whilst it’s far from local, some of the best wines to have with Asian food are Riesling (dry to medium sweet), Pinot Gris, Gewürztraminer. Basically what I’m trying to say that if chilli was introduced to Alsace a long time ago, they’d be happy folk. If reds are more your thing, stick to fruity or lighter reds like Beaujolais, Rosé and Dolcetto.

All that said, a barbecued kangaroo fillet rubbed with native spices and paired with a rugged Australian Mataro can be a thing of beauty.

6. Don’t forget the fortifieds!

Fortified wines are something that most people don’t consider until they remember how good they are when tasting one at a cellar door or similar. Australia produces some of the worlds’ best. Tawnies, Muscat, Apera and Topaque (that’s Port, Muscat, Sherry and Tokay for those who still call all bubbles Champagne).

Tawnies are rich and most reminiscent of red table wine when young, but age into beautiful, sweet, leathery delights. My first wine memory was of drinking a tawny from a port sipper at an age that I shan’t discuss. Needless to say, I loved it. I think Tawnies or Ports are one of the best ways to start appreciating red wine if you don’t like them yet.

Muscat is a purely hedonistic style. Raisins and dark chocolate, gaining in complexity with the older blends. A real crowd pleaser at cellar doors.

Topaque is not so well know, but is equally unique to Australia. Made from the Muscadelle grape, it’s usually lighter than Muscat, and can sometimes taste of tea leaves and caramel.

Apera. Sherry. So misunderstood. It’s not a Granny drink. Try telling that to the people of Jerez. If you think it is, then I challenge you to describe what they can taste like. Bone dry, salty, umami Fino and Manzanilla styles, then nutty, deep, medium dry Amontillado and Palo Cortado, all the way towards the richer, walnutty, woody tones of Oloroso. Then there are the sweet styles of Cream sherry and the brilliant, luscious Pedro Ximenez – liquid raisins and velvet. Sherry is one of the most food friendly categories of wine on the planet, even though it’s not really a category of wine. It’s too complicated to elaborate, but try one next time you go out for tapas.  

7. Alternative varieties

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Australia is a huge continent. It’s nearly 14 times bigger than France. Yes, the majority is too warm for producing quality wines, but still, it’s massive. By only concentrating on a few common varieties, we might miss out on some that suit our climate so well. Warm regions like McLaren Vale are discovering that varieties such as Fiano, Marsanne, Roussanne and Viognier can produce excellent wines in spite of the heat.

One of my biggest gripes is how conservative Margaret River can be. It’s settled on Cabernet Sauvignon, Merlot, Chardonnay and blends of Semillon and Sauvignon Blanc. There’s also a lot of mediocre Shiraz produced and some producers dare to make Riesling and Pinot Noir. A few producers are experimenting with Tempranillo, but I’ve only tasted a couple of decent examples and the vines are still too young. We need to start supporting alternative varieties so that Australian regions can find what works best for them. Because it’s not just going to be the common French ones. The quality of wine produced in this country is excellent, but only just the tip of the iceberg.

8. Trust those who work in the wine trade

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Wine is a niche product and it takes those with a lot of passion to pursue it as a career. I should know; I left a high paying Government job to work in wine retail. There is no better reward for me than to have a customer come back and tell me that they’ve enjoyed something I’ve recommended that’s out of their comfort zone, and then to choose another wine left of the middle. Wine merchants, writers and sommeliers are paid to help guide you, they’re not just there to pour your glass or put a bottle in a brown paper bag. Trust them like you trust a pilot.

9. Just because it’s convenient, doesn’t mean it’s good wine

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It’s not that well known amongst the general public, but many of the wines bought from Australia’s duopoly of supermarkets and their chain liquor stores are owned and made by those companies. They could be adding 1000% markup from purchasing low quality, excess grapes and turning them into pleasing, convenient brands that aren’t far from the rest of your weekly groceries. Thankfully, Australia doesn’t allow liquor to be purchased directly from supermarkets, however many do have liquor stores attached, making it a one stop shop for many consumers. Supermarket wines are killing the diversity of the industry in places like the UK, and Australia is not far behind. Support an independent. They know and love the products they are selling and want you to drink something good, and not just take your money.

10. Not everyone wants to spend much money on wine

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Wine can be expensive. It’s sometimes easy to just look at what’s on special and grab a few bottles, even if you’ve never tried it before. Many people don’t really care about what they’re drinking as long as it’s white or red. And that’s completely fine. Just know that sometimes, if you try something unfamiliar (but still cheap!), you might actually find that the wines are better for the price. South Australian Riesling, Italian Montepulciano, and fortifieds are often bargains in my books. If you like Cabernet, and don’t want to spend much, you’re better off buying a Cabernet Merlot blend, which is usually mostly Cab Sauv anyway, and usually better quality for the price. As for cask wines, I can’t give you much advice except for the fact that most come from regions that can certainly grow grapes but not so much produce quality wine…

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Evoi Reserve Margaret River Chardonnay 2010

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A stunning wine, and unfortunately, a rare one. 1200 bottles made. Evoi is Nigel Ludlow, who also makes wine at the larger scale Barwick Estates.

This got me all excited and I was quick to say that it was one of the best Chardonnays I’ve tasted. A bit more drinking and tasting and I’ve concluded that it’s not far off that statement. It shares its story with many words – expect honeycomb, ginger, lime curd and white grapefruit aromas. The fruit runs off towards big ripeness, but like a dog on a leash, Nigel Ludlow has made it heel. This works wonders for the palate, as everything is generous and persistent. It’s not fat either – the wine’s acidity is quite mouth-watering. I found myself salivating still a few minutes after my last glass.

As with many white Burgundies, the wine is full of flavour, complexity and weight, yet has a sense of clarity instead of chaos and confusion. A great indicator of a wine’s quality is its length, and here, the proof is in the pudding. If you’re lucky enough to spot a bottle on a wine list, order it.

Outstanding – Exceptional / 96 points

Price: $44

Closure: Screwcap

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Si Vintners ‘Cachorro’ Cabernet Sauvignon 2011

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Image borrowed from Wino-Sapien :)

 

Due to extended time on skins, this wine has only the tiniest bit of sulphur dioxide added. It’s made with minimal oak exposure as well. Unfiltered and unfined of course.

Deep, dark and brooding, but with that degree of Cabernet blue blood apparent. Menthol and camphor meld with dark cherry and cassis to create a medicinal vibe. Perhaps some raspberry and violets peeking out too.

Somehow manages to be svelte yet thick and brutish. Cassis and blackcurrant, then it finishes with a sort of dry aged beef meaty funk. With time in the glass, it seems to really unravel to its varietal makeup – like playing strip poker with a knight in bloodied, battle scarred armour. And winning, obviously. It becomes more tidy and clean with time. Just the opposite of me after I’ve polished off this bottle…

You’re not paying for structure and power here, it’s about interest and individuality. Well worth it. Noble Cabernet, but not as we know it.

Very Good – Excellent / 92 points

Closure: Screwcap

Source: Retail

Price: $35

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Chateau Tanunda ‘Grand Barossa’ 2011 Reds

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Decided to taste these two reds single blind, just for kicks. I’m at the tail end of a head cold, to make things even more confusing. A Barossa Shiraz and a Barossa Cabernet.

Wine A has a spicy, meaty nose with primarily red fruit. It’s more expressive than Wine B, which has more dried leaf, cassis and plum smells. Wine B has a pretty dull aroma, really. Of course at this stage, I’m confident that Wine A is Shiraz.

Not heaps of concentration on Wine A’s palate, but it does have good spice, raspberry fruit and some savoury aspects, as well as length of flavour. Tannins are laidback and unobtrusive. Again, Wine B is dull. It’s not faulty but lacks any memorable features. More structure to the palate than Wine A, but in the skeletal sense.  B drinks alright if you’re just chasing a glass of red.

Happy to drink Wine A , then I might have a go at Wine B if I’m still thirsty/conscious. Well, maybe that’s too harsh – I’d easily drink either, I just think Wine A is the better wine.

Wine A: Average – Good / 88 points (Grand Barossa Shiraz 2011)

Wine B: Average / 85 points (Grand Barossa Cabernet Sauvignon 2011)

Afterword: I hate minty or overty green Cabernet (unless aged), and this from Chateau Tanunda was certainly not, so I much prefer it to many others out there in a similar price point. It wasn’t jammy like some from Barossa either. I think if tasted double blind, I might have guessed that Wine A was a GSM, rather than a straight Shiraz. Both are above many of their peers from the 2011 vintage.

Closure: Screwcap

Source: Sample

Price: $25

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Si Vintners Red 2009

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Si Vintners are winemaking duo (and couple) Iwo Jakimowicz and Sarah Morris. Their vineyard is farmed organic and biodynamically, and the techniques they employ are natural or minimal.

Red is a wild fermented Bordeaux blend with extended skin contact and matured in new and old oak for 18 months. It’s unfiltered/unfined and minimal sulphur is added. Look out for their wonderful Pinot Noir based Rosé too, if you can manage to find a bottle! It’s the best Margaret River Pinot I’ve ever tasted…

The Petit Verdot (not sure of the exact percentage) adds its signature violet and blackberry aroma. Malbec gives some body and suppleness. Cabernet forms the backbone and contributes redcurrant and black fruits. I would say the grapes used here were perfectly ripened, and at only 13.5% alcohol, you know that Si are doing something right in the vineyard.

The wine has ample length of flavour and mid-palate definition. All the character is intact through not filtering or fining, and because of this, it throws a sediment. A real treat to drink and a bit of a talking point too.

Very Good / 91 points

Closure: Screwcap

Source: Retail

Price: $20

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Luke Lambert Syrah 2009

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Rushed to buy this after tasting the (even better) 2011 vintage.

A beautiful, unforced wine. It feels like a wine from a time where the winemaker didn’t really fuss over sorting grapes too much. There is a degree of whole bunch inclusion here which doesn’t dominate, unlike many other Victorian wines lately. A personal preference; I generally prefer minimal whole bunch input, however I must admit that the 2011 Thousand Candles with its 100% whole bunch is an impressive and fairly unique wine. I haven’t tasted many such wines with more than a couple of years of bottle age, however, which is mostly when they should be consumed. Except for Beaujolais Nouveau, but that’s a different story.

2009 was of course, an awful year for the Yarra Valley. Bushfires destroyed so much, and smoke taint pervaded much of what wasn’t consumed directly by fire. A few lucky vineyards were mostly unaffected, and this is from one of them. There isn’t a smoke taint here as such, but there is a ‘smoky’ charcuterie aroma which most likely just comes from the variety itself. Sopressa, black pepper, cherry cola and earth. The wine has significant concentration, but isn’t heavy or full bodied. Completing the picture is a rigid tannin structure and energy from a degree of acidity that’s just noticeable. Improved on day two also.

It’s a wine to savour slowly and to talk about with others. Really a pleasure to drink. I had this at about 92 points technically, but it’s a memorable wine so I pushed it up so that those who look mostly at ratings will be more likely to buy some. You’re probably not even reading this paragraph are you?

Excellent / 93 points

Closure: DIAM

Source: Retail

Price: $44

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Digital Radio Stations

Digital radio seems to have lost some of its momentum since the advent of streaming music services such as Spotify, Pandora, Deezer and Rdio. Whilst these services offer a virtual radio service, you can miss out on music chosen by DJs who live for music. Eclecticism can also be a problem, since usually these virtual radios work by playing similar artists to what you’ve selected. Here are some of my favourite digital radio stations. You can play them through the web, or through apps such as Tunein.

Devil’s Night Radio

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Expect brash alternative, but also a twist of retro attitude. Punk, 80s alternapop, metal, as well as rockabilly, swing and blues. You’ll jump from Fats Domino to Fugazi, and from Frank Sinatra to The Fall. There’s even a weekly show programmed by LA punk band X’s Exene Cervenka. You can even tweet in your requests!  

NPR’s All Songs Considered

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As the name suggests, this is all about an eclectic mix. For those like me who aren’t too fussy about genres, this is perfect. I’ve discovered so many artists from this station. You might go from Arcade Fire to King Crimson to Nusrat Fateh Ali Khan to Fourtet. No genres are exempt from this station. I find that the leanings are towards alternative music, but you do get the occasional bit of pop or classic rock. It’s not always the top singles either.  

Soma FM Space Station Soma

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A bit of a personal favourite. It won’t appeal to everyone. As they describe it, “spaced-out ambient and mid-tempo electronica”. It’s a little bit trippy and a good chance to get in the zone, whatever that may be. Soma FM also offer a bunch of other radio stations, each with their own theme, that are worth checking out.

 

If you have any recommendations, I’d love to hear them!

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Heavy Rotation: 23 April 2013

James Blake – Overgrown (from the 2013 album Overgrown)

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James Bleak? I can’t stop listening to this album, which is very rare for me. I normally jump from album to album more than a sugar glider does with trees.

The album works much better as a whole rather than just individual tracks. It’s fragile and understated. Delicate beats, strings, bleeps and piano reminiscent of Radiohead’s Kid A era, but with vocals that sit somewhere in between Jeff Buckley and Antony Hegarty. Title track Overgrown is a delicate interplay of Blake’s voice, soft drums, tense strings and simple piano chords. A very evocative track that sets the mood for the rest of the album. Other standout tracks include the first single Retrograde which is built upon a hummed riff, and the minimalistic hip hop duet Take A Fall For Me, featuring Wu Tang Clan’s RZA. Goosebumps ahoy.

Brian Eno – 1/1 (from the 1978 album Music For Airports)

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Pioneering ambient work from the great producer Brian Eno, who as it happens, collaborated with James Blake on the Overgrown track Digital Lion. Music For Airports, is, without doubt, the one album that I have listened to more than any other. It’s just perfect to sleep or relax to, and I sometimes will play it a few times a week. Eno’s idea behind the concept of Ambient music came about when he was bedridden and couldn’t get up to turn up the volume on a record of harp music. He saw it as a different way to listen to music – a background, hence the term Ambient. 1/1 is probably the best from the album. It’s simply a slow loop of two similar piano melodies which overlap each other and gradually change phase. There are some other minor instruments thoughout the piece, but it’s mostly just perfection in simplicity. Music For Airports will always be one of my favourite albums of all time.

Caitlin Rose – Waitin (from the 2013 album The Stand-In)

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Allmusic.com put it so well: “In a perfect world, Caitlin Rose would be a big star, and indeed, she may well get there anyway, given that she has a sweet, pure, coy, sassy, assured, and beautiful voice, and writes wonderfully balanced pop-country songs that suggest Patsy Cline, Linda Ronstadt, and the commercial pop end of Fleetwood Mac all rolled together.”

Waitin begins as a minor key ballad in the style of Patsy Cline and Eilen Jewell. The chorus is catchy without every going to the saccharine, commercial Country Pop extremes of of many others. The Stand-In is a wonderful recommendation for lovers of Gillian Welch and other such Americana. The day that I first heard Caitlin Rose was immediately brightened by my discovery. Bonus points for the film noir album cover too.

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Domaine François Raveneau Chablis Premier Cru Forêt 2007

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For a person who’s obsessed with wine, I don’t have a very big ‘cellar’ and I will drink most of the wine that I purchase within a few weeks. I bought this bottle about six months ago, and I’ve been waiting for the right opportunity to open it. Yesterday was that occasion. Some homemade Yakitori and a bunch of aged Rieslings and most importantly, great company. I’ve also just finished reading Andrea Frost’s Through A Sparkling Glass, which I must say is one of the most important wine books I’ve read. Her words on the occasion being just as essential as the wine itself are a lesson that many of us need reminding.

Just a short note since I didn’t write anything down. Developed nose of honey, lemon and stones. A somewhat contrasting palate. The wine is full of life and coiled energy. Layers of acidity and minerality build upon each other. There’s some pithy grip in the mouth too, adding to length and structure. All are signs that it will go the distance. Both mesmerising and thrilling – a wine that will either make the table go quiet or make a lot of noise.

Outstanding – Exceptional / 96 points

Price: $95

Source: Retail

Closure: Soggy cork and sealed with wax. Hard, brittle, irritating wax.

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Familia Blanco ‘Mairena’ Malbec 2010

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Received this sample from Brad & Rob at Red Wax Wines, a local distributor with a select portfolio of Argentinian wines. Decided to pop the cork tonight to go with some bbq ribs.

Upon opening, noticeably smoky and meaty. After a decant, fruit aromas came forth – violet (I’m calling it a fruit anyway), grilled plums and blackberries. A touch of bay leaf, cigar box and coffee oak. Thick and concentrated in the middle, but with lighter, more nuanced edges and a dusty tannin profile. Dense forest fruits carry the bulk of the wine’s impact, as is often the case with Mendoza Malbec. A thread of smoke is the common theme across the nose, palate and finish.

Brawn wins out over brains, and that’s not an insult – it’s a wine of place and familiar style. Would gladly order a bottle at a South American grill or with shishkebabs.

Very Good / 90 points

Source: Sample

Closure: Cork

Price: $28

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